Your independent guide to the best shows in Chicago
An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
Russell "the love muscle"hart from Tucson, Arizona
well, the worst part of the show was not necessarily the show. the seats i had were expensive and my nose began bleeding. but after the big tucson hubbub,which i believe didnt even sell out,had me sitting on tickets on my phone that i did not know would for sure let me attend. then,the big security measure i went thru,had me wishing i brought more goodies in my pockets.the stairs were fun,like the parking was blessed with construction that nobody attending had a clue about. i guess the events leading up to the event,pretty much sucked all the old time rock n rollsy blues outta me. any other city i believe than tucson,would be a maximum however-many stars event. the guy can play.
R. Griswold from Charlotte, North Carolina
NOT THE BEST SOUND MIXING
I love Joe Bonamassa and went to his concert at
Ovens Auditorium in Charlotte, NC on Nov 12, 2013.
Joe and the band played their hearts out for two
hours. However, the folks in the mixing booth were
terrible. Many of the songs were way too loud. I
could hardly hear most of Joe's vocals. The mixing
people need to go back to school or someone needs to
Don Schuepbach from San Antonio, Texas
R. Griswold Wrote the perfect review in November 2013. The San Antonio show last night started off great. The first hour was well done and we could hear and enjoy. Then the show ramped up during the electronic portion power, power, power and a muddled sound really taking away from the enjoyment of the experience.....Sound board help IS DRASTICALLY needed. I mean anyone who has knowledge of sound knows that loudness and volume are two separate animals. I would never fault a show where a performer pours his heart out for two and half hours but there was a problem with the production and it seems to to ongoing. DON'T STAY AWAY FROM THIS SHOW JOE B. IS WORTH THE MONEY TO SEE HIM!
John from Toronto, Ontario
SAW JOE AT SONY CTR TORONTO WED NOV 16
This is the 3rd time I've seen Joe. This was the least entertaining.
First the acoustics were off. You could barely here the backup singers, bass guitar, or
brass over Joe playing his guitar. Then throughput the show the volume got louder
to the point it was almost painful.
The guitar work was still outstanding and a pleasure to listen too. I also wish he
would have played some of his earlier work. This would have made the show more
To me the worst was the Zeppelin cover. He has more than a dozen albums it was
dumb to play a Zeppelin cover for your closing song before the encore. I came to
hear Joe not Zep.
Dana from Vancouver, British Columbia
VERY POOR SOUND CONTROL
Expected a better sound. Too loud and could not hear vocals.
Guitars and band - very good performance!
Billy Bob from Vancouver, British Columbia
JOE BONAMASSA QE THEATRE VANCOUVER NOV29, 2018
Sadly, this highly anticipated show was mediocre at best. The band, smoking hot players. Joe, a technical genius with great, soulful vocals. The sound, well, stunk and I was right behind the mixing board. I thought I had a problem with my ears and they needed a song or two to adjust. Nope. My main issue was that the bass player was way too loud for about 70% of the concert. Also, during certain songs the show was just too loud. (This theatre holds about 3000). During many songs there seemed to be a sonic fight between the Hammond organ, the bass player and Joe's guitars. Joe lost every time except during solo's which were excellent.
As usual, the back up singers were excellent but you couldn't hear them for about 50% of the show.
I was also disappointed by the lack of on stage chemistry between the band. This made it seem to me like a Vegas show that musicians play night after night just focusing on playing their part.
For a $130 ticket, the sound needs to be much better than that
Rich Jazdzewski from Carmel, Californina
LOUD ≠ GOOD
11/23/18 Long Beach: The person/s responsible for the sound must have turned the
volume nob to 11 and left for the evening. What a disservice to Joe and his talented,
veteran band, not to mention the audience. Joe's lyrics were nearly impossible to
hear, or understand. A six-hour drive, both ways, and two nights in a hotel for our first
Bonamassa concert left our expectations unfulfilled. The music ( did I mention LOUD,?)
we heard at the concert wasn't even close to that on Joe's well-mixed DVDs such as
"Live at the Greek Theater", or Amsterdam.
Joe is the most talented guitarist on the planet and we intend to attend more of his
concerts - we'll just limit them to outdoor venues. In the meantime we'll continue
buying and listening to Joe's CDs and DVDs.
This is an independent website not affiliated with the venue. 'The Chicago Theatre' as well as all associated graphics, logos, and/or other trademarks, tradenames or copyrights are the property of MSG CHICAGO, LLC and are used herein for factual descriptive purposes only. This website is in no way associated with or authorized by MSG CHICAGO, LLC and neither that entity nor any of its affiliates have licensed or endorsed us to sell tickets, goods and or services in conjunction with their events. The term Joe Bonamassa as well as all associated graphics, logos, and/or other trademarks, tradenames or copyrights are the property of Joe Bonamassa and are used herein for factual descriptive purposes only. We are in no way associated with or authorized by Joe Bonamassa and neither that entity nor any of its affiliates have licensed or endorsed us to sell tickets, goods and or services in conjunction with their events.