An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
Loved it, daring Dorothy does it
perfectlly.
Santino Fontana is outstanding and
makes it look easy.
Every cast member is great.
Want to see it again.
Sheri Levin from Milwaukee
READY FOR BROADWAY NOW
Saw the 3rd preview performance of Tootsie in Chicago at the Seot. 15
matinee and everything about it was the outstanding! That includes
the story, the acting, music, costumes, dance and all else. It kept us
laughing to tears and the time flew. It is NOW ready for Broadway and
should be a tough ticket to get there. Definitely recommend it. We
walked down the block to the restaurant 312 which was so convenient
and excellent.
NS from Chicago, Illinois
GREAT COMEDY; FORMULA MUSIC; HAVEN’T LAUGHED SO HARD IN YEAR
It took me a bit to realize the opening number was a parody of an opening number, as I
was settling in for a ho-hum evening in response. The shift came during “Dorothy’s”
audition, where Santino Fontana pulls off a show-stopper. Once the show took off, it was
a comic genius, reminding me of FunnynThing Happened...inits patter and comic
delivery. The music was at its best in the comic numbers like “You F**d Up”, as much for
the delivery as the music. The rest of the score was formula at best, as is a lot of show
music in our era unfortunately. All that said, I was entertained and laughed till it hurt,
and even without tweaking, I would predict an enthusiastic reception in NY (where I am
from). It did leave me thinking about just how much B’way loves to gaze at its own navel,
since 42nd Street through Chorus Line and many others, the “let’s put on a show!’
fallback is alive and well. Tootsie was a hoot...already recommended it to my NY friends.
Kristy from Rockford, Illinois
PERFECT "TOOTSIE ROLE"
Santino Fontana certainly makes this musical
sing! It departs just enough from the original
film to keep it fresh, yet still familiar. While
some of the songs weren't incredibly
memorable or catchy, the performances were
stellar and the writing quick and witty. I
recommend this for a good date night, And
back to Santino, I don't think I could picture
anyone better for this "Tootsie Role"
ChicagoBears from Chicago, Illinois
FUN PLAY, FAIR MUSICAL
Was surprised at the new take on this story... enjoyed the cast, the storyline, the one-
liners, the production. As a play with a bit of music- it was a good comedy with some
drama and heart. As a musical- it was fair, but not big hit songs that rocked the house.
Overall worth seeing.. I do wonder if they will do any more tweaks before Broadway? ps
Jeff was awesome!
Gini Hartzmark from Chicago, Illinois
SNOOZIE, THE MUSICAL
Scored half-price tickets for Tootsie on a discount site and decided that $45 for main
floor seats to a legitimate Broadway (bound) show was a deal I couldn't pass up and
at that price it was a good time. If I had paid more I would have felt robbed. Not
that it's about the money. I go to a lot of theater, I am in New York for business
every other month and I have probably seen every (non-Disney) musical that's
played in the last two years. And I've got to say, Tootsie falls short.
The story, adapted from the highly lauded movie, is formulaic at best and while the
actors are excellent, they aren't given much to work with in terms of character.
Every one of them is a cardboard cliche and while there is some sharp comedic
writing and genuinely funny moments, they aren't enough to carry the production.
The music is insipid and the lyrics dreadful. Really dreadful. In Act Two Julie, in the
nightclub scene, belts out a list of cliches.
Pete Strop from Chicago, Illinois
BOOKS IS BETTER THAN THE MUSIC
It's an enjoyable night. The comedic elements are terrific, both in the book and in the
music. Performers' timing is great. The overall music, however, is just not memorable.
It's sluggish in pacing in places. The lyrics are not strong, and the audio mix the night
we were there was poor. The romantic relationship is not terribly believable and there's
not one non-comedic number that stands out. The staging and sets are fanastic and
Broadway-ready.
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