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Customer Reviews for Paradise Square

18 Customer reviews
Overall
3.2/5

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Star rating

GO SEE THIS OUTSTANDING MUSICAL!!!!

5/5
Cheryl from South Texas was visiting Chicago
27th November 2021

Saw this the day after Thanksgiving and so glad we chose to see this and not listen to some of the reviews. Bring your COVID vaccination card. My husband didn’t have his and was not let in. This show seriously blew me and my daughter away. The voices are powerful, so powerful that I literally jumped out of my chair before Let it Burn was finished to applaud, a few of us did then the whole theater followed. The dancing will captivate you the entire time! Anyone that said this musical dragged on must have a very low attention span. The story and characters are extremely interesting and not once did this musical seem slow to us. My daughter and I agreed this was one of the best musicals we have seen and we have seen many. We both agreed we would see it again and told my husband after he missed a great one!

Highly recommended

5/5
Toby Golick from New York, New York
3rd April 2022

Saw the NY show in previews. Beautiful score and great dancing, with a first-rate cast. The account of Irish and Black politics of the time was fascinating. The audience and I loved it.

Nice Show

5/5
Wanda💞 from New York, New York
29th June 2022

It was nice seeing how Irish and Black folks fought in the war. Seems to me, black people were always being attacked. The shows message was great. The singing, costumes, and dancing was on point. It was simply great. Also loved how women were cast as strong and decision makers. The men did an awesome job, too. The tap dancers great. It was just nice. Praise God. Some much talent. The show touched my spirit. ✌🏾🤗💕

Curb your cynicism

5/5
Dennis Roberts from Wilmette, Illinois
15th November 2021

Paradise Square offers an idealization we need to embrace. The stratification of race and class leading up to the U.S. Civil War are set aside as "Breath easy" (terrific song!) asserts freedom as the shared dream among Irish immigrants and African American freedmen and escaped slaves. Threatened by the grassroots power of the Five Points neighborhood, NYC "Uptown" elites exploit their privilege to avoid military service, which leads to the disruption of the camaraderie of patrons at Nelly's bar. "Let it Burn" (with a phenomenal performance by Joaquina Kalukango) offers a cataclysmic climax as Nelly sees her bar and neighborhood destroyed. Out of the ashes, the people of Paradise Square renew their solidarity in a difficult time and place. Most importantly, their bond offers an example of how victimized and powerless people can create change for themselves and others.

The music is great

4/5
Li Wright from Chicago, Illinois
7th November 2021

Just came from the show and the music was lively and really told the story well. However, I didn't feel the choreography was THAT great and I know Bill Jones is the choreographer. But some of the dancing seemed to repeat itself over and over. The lead actress, Joaquina) has the perfect Broadway voice. Big and robust. The set decorations weren't spectacular, maybe so as to not overwhelm the story. At times I think they spent too much time on the runaway slave's story. It seemed to detract from the other stories. Overall, when it came to an end, everything seemed to wrap up nicely.

Great Show

4/5
AP Cook from Chicago, Illinois
14th November 2021

I truly don't understand the bad reviews of this show. There were so many great characters, great songs, and choreography. I was never bored, and it was great to see a play that digs into part of the darker elements of U.S. history. The Riots tore apart this black community, causing thousands to flee. It provides a timely response to the ever present, but my Irish Ancestors were discriminated against too. A great story can be one that educates and entertains. This did both! My only criticism was some of the choreography. I agree that at times it was repetitive. But to see tap, ballet, Irish, African, and African American styles all on one stage? That was something.

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